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The Hands That Make

Mary


Co-founder. She trained in design and garment construction in her twenties, set the work down for decades to raise her daughter, and went back to the machine when that daughter brought her an idea.

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Mary at the machine

Mary's hands guiding a black lace cap and blonde hair under the needle of a Singer sewing machine
Mary's hands guiding a black lace cap and blonde hair under the needle of a Singer sewing machine
Mary at the machine

She studied fashion

The skill she set down for thirty years

Mary went to fashion school in her twenties and trained in design and garment construction. Not long after she graduated she was pregnant with her daughter, so she set the work down and raised her family instead. She never used the training professionally. For three decades it simply sat there, and it never left her.

Why it came back

Her daughter could not buy what she needed

Alexis was braiding by the time she was about eight, starting with her cousins, and went professional at seventeen doing in-house services: traveling to clients' homes to braid natural kinky hair. She learned early what tension does to a scalp, how much damage happens quietly, and how readily women agree to discomfort because they have been told that is the price.

She knew it from the other side too. Her scalp has always been tender, long before any wig, and the closed cap that was supposed to be the relief trapped heat all day instead. That is not a hair problem, it is a construction problem.

She went looking for a better way to make a wig and found ventilated construction, which had existed for years without ever going mainstream. Then she brought it to her mother.

The first real test was not whether it looked good. It was whether you could feel air on your scalp while wearing it. You can. That is the whole company.

The construction

What the cap is, and what it is missing on purpose

  1. Less cap, not better fabric

    What makes it work is not finer material. It is less of it. Open gaps through the body of the cap, placed where the head actually runs hot rather than spaced evenly for the look of it. You can put your fingers through it.

  2. Nothing underneath

    No stocking cap, because the stocking cap was half the heat. HD lace at the front, nothing adhesive touching skin, and no second layer standing between the piece and the crown it sits on.

  3. Adjustable, so it stays put

    If nothing is glued down, something has to hold it. Every piece comes with adjustable elastic bands inside the cap, tightened to your own head so the piece sits snug. That is the glueless effect, and it is why it will always fit.

  4. Sizes, not an average

    Small, medium and large. You measure at home and the size guide walks you through which one you are, so a piece fits the head it was measured for instead of the average of everybody's.

See how the cap is built

Mary's hands guiding a black lace cap and blonde hair under the needle of a Singer sewing machine
Mary at the machine

The pioneer pieces

She set the standard on the first ones

Mary sewed Kallov's pioneer pieces herself. Wefts onto the ventilated cap, weft after weft, and then the closure or frontal at the hairline. The cap is machine-sewn on purpose: a machine seam is what makes a small fit like the last small, and a sewn seam under tension holds where a tied one gives.

She has been at it long enough to feel a bad seam before she can see it, and she will pull one out over a millimeter nobody else would catch.

That is the standard every piece since has had to meet, and she is the one who holds it.

A house built together

Two dreams, one house

Alexis found the construction. Mary sewed the pioneer pieces, and the standard she set on them is what everything since has been measured against. The daughter she raised made a road back to the craft she had once imagined for herself, and Mary gave the brand its hands.

She studied fashion to create. She paused to raise her daughter. Together they built a house where both dreams could live.

Read Our Story

In short

Mary, in three lines

Trained in

Design and garment construction.

Sewed

Kallov's pioneer pieces.

The standard

Air on your scalp at hour nine.

She set the fit. Let us find yours.

Consultations are online, wherever you are

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Elsewhere

Where to go next

From the hands that make to the hands that style.